Parker in a Vise

This is the fourteenth entry in Richard Stark's excellent series about Parker, the amoral criminal whose carefully-laid plans almost always come undone because of some unforeseen accident or because of an act of carelessness by one of the other crooks involved in the plan. In this case, it's the getaway driver who screws everything up. This is not the driver that Parker would have prefered, but it's the driver that Parker had to settle for. And it's Parker who will now have to pay the price.

Parker and two accomplices hit an armored car for $70,000. (This is back in 1969, when $70,000 was still a lot of money.) The overconfident driver loses control of the getaway car and rolls it only a couple of blocks from the scene of the crime. With the cops hot on his tail, Parker grabs the loot and escapes into an amusement park across the street that is closed for the winter.

Parker fully expects an army of cops to surround the park and flush him out, but then several hours pass and nothing happens. It turns out that the two patrolmen who saw Parker go over the fence are corrupt cops in league with local mobsters. Rather than bringing Parker to justice, they intend to hunt him down, kill him and keep the cash for themselves. The result is a great cat-and-mouse chase in which Parker, out-manned and out-gunned, must use every trick in the bag to save himself. He's even more inventive and resourceful than usual, and Stark (Donald Westlake) produces a taut, gripping story with a great climax. Fans of this series will be very grateful to the University of Chicago Press for resurrecting this title which has been unavailable for a good number of years.

Will Magowan Returns

Will Magowan simply cannot catch a break.


Readers first met Will in Slow Fire, Ken Mercer's excellent debut novel. At the time, Will was a disgraced former L.A. cop who had lost his wife along with his job and who had also suffered a horrible personal tragedy. With no other prospects, Will accepted an offer that came from out of the blue to be the police chief in Haydenville, a small town in northern California. To all outward appearances, Haydenville appeared to be an idyllic spot, but Will soon discovered that the little town was in the grip of a plague and that its well-being was threatened by some very unsavory characters.

By the end of Slow Fire, Will had largely straightened out the problems in Haydenville, and in East on Sunset: A Crime Novel, we find him back in L.A. and no longer interested in a career in law enforcement. Instead, he is perfectly content to accept a job as a security officer for the L.A. Dodgers. Will and his estranged wife, Laurie have reunited; they have a nice new home, and it appears that life is finally working out for Will.

Enter Erik Crandall, whom Will busted years ago when he was still working undercover narcotics. Recently freed from prison, Crandall is determined to wreak revenge on Will. In particular, he believes that Will stole some $500,000 worth of drugs that belonged to Crandall and that never made it into the evidence locker when Magowan and his colleagues arrested Crandall.

Crandall arrives in L.A., tracks down Will and confronts him. Will knows that he didn't steal Crandall's drugs and points out the obvious: If Crandall had been arrested in possession of that much dope, instead of the relatively small amount that did reach the evidence locker, his sentence would have been much longer.

This sort of logic is totally lost on Crandall who has turned into a massive steroid freak and who is obsessed with the idea that Will has wronged him and that he must pay. Crandall threatens harm to Will and his wife, and when Will cannot get the police to take Crandall's threats seriously, he has no choice other than to deal with the threat himself. Will is thus forced to revisit a past he had long thought buried, and before long, Erik Crandall is not the only threat that Magowan will have to confront.

In this, his second outing, Ken Mercer has written another faced-paced novel with a very sympathetic protagnist. One feels for Will Magowan as the odds again seem to be stacked so heavily against him. And in Erik Crandall, Mercer has created a truly creepy and frightening antagonist who seems at times to be more than a match for Will.

One hopes that the next time around, Mercer will allow Magowan at least a bit of well-deserved peace and quiet, but based on the evidence of these first two books, Will probably shouldn't hold out much hope.

Charlie Hood Drives Again

Charlie Hood, a veteran of the Iraq War, is a modern-day lawman with the soul of a 19th century western sheriff. Charlie is a deputy in the L.A. Sheriff's Department, and he cruises the Antelope Valley in the desert north of the city. Charlie loves to drive, preferably alone, and preferably late at night.

One night however, Charlie is paired with another deputy, Terry Laws, known to the rest of the department as "Mr. Wonderful," because of the great job he's done raising his daughters, because of his dedication to the job, the bodybuilding titles he's won, and the charitable work he does in his off-duty hours. Hood and Laws respond to a routine Housing Authority complaint and as they are returning to the patrol car, a gunman appears from behind a tree and murders Laws in a hail of bullets. Hood survives, perhaps because the gun jammed or perhaps the gunman deliberately spared him.

Shortly thereafter, Hood receives a visit from Internal Affairs. The IA people suggest that perhaps "Mr. Wonderful" wasn't so wonderful at all and they want to add Hood to the team and have him investigate Laws. Hood is reluctant; he wants to patrol the county and catch bad guys. He has no taste for investigating fellow cops. But IA offers the usual rejoinder: somebody's got to police the police and, sadly, not all of the bad guys are civilians.

Hood begins his investigation and soon discovers that Laws had an awful lot of money for someone earning a deputy's wages. As he probes deeper into the situation, Charlie is drawn into a sordid world of drugs, money laundering and other illegal activities. But Hood is resolute; he has a strong moral compass, and he will pursue this mess to its conclusion, no matter how distasteful or violent.

This is the second of Parker's books to feature Charlie Hood, and as is always the case in Parker's books, the characters are unique, interesting and sharply drawn. The investigation is intriguing and the climax suitably violent and hair-raising. Parker has written a third book in the Charlie Hood series, Iron River, and one hopes that he will write a lot more.        

Lucas Davenport Returns to His First Case

This is the twenty-first John Sandford novel to feature Minnesota detective Lucas Davenport, and it's one of the best books in a truly great series.

Twenty-five years ago, Davenport was a beat cop with a taste for fine clothes, fast cars and attractive women. He was also smart, ambitious and determined to excell, preferably as a detective, but if not, perhaps as a lawyer. He gets the chance to prove himself when two young girls go missing. Lucas, along with some other patrolmen, is assigned temporarily to plain clothes to assist in the investigation.

Davenport is determined to make the most of the opportunity and he attracts the attention of a powerful patron who's impressed with Davenport's early work on the case. Sadly, though, the missing girls are never found. A suspect is identified and the case is declared closed, although Davenport is not entirely comfortable with the official solution to the crime.

In the years that follow, Lucas becomes a local legend and becomes the most brilliant detective the state of Minnesota has ever produced, occasionally bending the rules and sometimes meting out his own rough justice, but always getting results. Through the years, he has risen through the ranks and is now head of the state's Bureau of Criminal Apprehension. And finally, after all that time, the bodies of the two missing girls are uncovered, buried under a concrete slab in a building that is being demolished.

Davenport finally has the chance to revisit the crime that got him started as a detective and the solution to which has always bothered him. This time, he will let nothing stand between himself and the truth, no matter the consequences.

The consequences are indeed painful, and those readers who have followed this series since Rules of Prey are in for a great ride. Like all of Sandford's books, this one has great comic moments that never detract from the serious business at hand. It has some great action scenes, a very interesting climax, and in the end, it may just break your heart. But once you start it, you won't put it down and you'll never forget it.        

John Rebus: Hail and Farewell

This is the seventeenth and allegedly last book in Ian Rankin's excellent series featuring Edinburgh Inspector John Rebus. Rebus was already nearly sixty years old before his creator was stunned to discover that sixty was the mandatory retirement age for detectives in Scotland. Accordingly, this book finds Rebus in the autumn of the year and of his career as well.

Rebus has ten days do go when Alexander Todorov, a Russian poet, is brutally murdered after a reading. To all appearances Todorov was the victim of a run-of-the-mill mugging, but Rebus and his long-time understudy, Siobhan Clarke, discover a number of anomalies that make them wonder if the case is really as simple as it appears.

Todorov's murder coincides with the visit of a group of Russian businessmen who are looking to make large investments in Scotland. Naturally, the local politicos, bankers and other bigwigs fear that the killing might unsettle the Russians and discourage their interest, and inevitably the Powers-That-Be want the case buttoned up and swept under the carpet.

Those who have followed this series know full well that John Rebus is not a man who usually follows orders with which he does not agree. And so instead of going quietly into that good night, Rebus presses the investigation full-bore, alienating large numbers of Very Important People in the process, including his own superiors. This too, is hardly unheard of for Rebus, and when a second murder occurs, Rebus is certain that the case is more complicated that it appears on the surface. The case then takes a particularly interesting turn with the appearance of Rebus's long-time nemesis, Big Ger Cafferty.

This is a very good book with a complex and interesting plot, in what has been an outstanding series. And it's more than a little bittersweet, watching Rebus count down the days to his retirement while he wonders if he can possibly close his last case before he is put out to pasture. I saw Ian Rankin at an event a few months ago, and as any of his fans will imagine, there were a lot of people in the audience pleading with him to somehow bring the character back. Rankin seemed as reluctant to let go of Rebus as his fans were, and so I'm hoping that this will not really be the last book in the series. But if it should be, Exit Music is an excellent valediction for one of the truly great characters in detective fiction.

Stuart Neville, who formerly worked as a hand double for a "well-known Irish comedian," has written a brilliant, atmospheric first novel set against the continuing "troubles" in Northern Ireland.

In the public eye at least, the men who fought the brutal battles of the long struggle have now given way to the politicians and peace is in the wind. But behind the scenes there are still scores to be settled and discipline to be maintained. Additionally, some of the men who might have once been idealists fighting for a sacred cause have now degenerated into common thugs. And while peace may be at hand, they are determined to protect themselves, their profits and the criminal enterprises they have created.

Into this combustible mix steps Gerry Fegan, an IRA killer who has recently been released from prison. Fegan, who was once one of the most feared men in Northern Ireland, is now drinking heavily, apparently slipping into psychosis, and losing his edge. He is now more pitied than feared by those who knew him in the old days.

But Fegan is a changed man. More important, he finds himself haunted by the ghosts of twelve innocent people that he killed while carrying out his missions for the IRA. These ghosts of Belfast will not let Fegan rest until he has avenged their deaths by killing the men who gave the orders that led to their deaths.

In an effort to salve his conscience, and in the hope of getting the ghosts to leave him in peace, Fegan sets about the task of taking revenge against the men who were once his masters. By doing so, he threatens not only his targets, but the entire peace process itself.

Inevitably, then, Fegan becomes a target himself, of his former bosses and of the establishment authorities who are willing to go to any lengths to keep the peace agreement from unraveling. Fairly quickly the question becomes whether Fegan can complete his mission and satisfy the spirits who torment him before his enemies catch up to him. And along the way, Fegan also begins a very tentative relationship with a woman and her young daughter who may represent his last chance at redemption.

Stuart Neville has a rare gift with language, and this book is beautifully written. The scenes are well set; the characters are expertly drawn, and you will not soon forget them. This is a bloody, violent, and ultimately heart-breaking book, and once it takes hold of you, it will not let go.        

Brady Coyne's 24th Case

"Hell Bent" is the twenty-fourth book to feature Boston attorney Brady Coyne, and it ranks among the best of the entries. For those who haven't met him, Coyne is a sole practitioner with a client list that consists mostly of fairly well-heeled Bostonians and a secretary named Julie, who keeps his professional life in some semblance of order. He's long divorced and usually involved with an attractive female.

As Brady comments in this book, he was trained to be a lawyer, but his DNA programmed him to be a fisherman. In this book, though, unlike most of the others, Brady has no time for fishing. After an absence of several years, an old girlfriend, Alex Shaw, walks back into Brady's life and asks him to represent her brother, Gus. Gus is a photojournalist who lost a hand, and thus his profession, in an explosion in Iraq. Not surprisingly he comes back a changed man and the changes are not for the better.

Gus is suffering from PTSD; he's a stranger to his wife and daughters, and a menace to them and to himself as well. His wife sues for divorce and secures a restraining order against him, but Gus doesn't care. He's perfectly willing to give her everything; nothing matters to him any more. Alex wants Brady to protect Gus's interests in the divorce, and Gus reluctantly agrees to let Brady represent him.

Almost immediately thereafter, though, Gus is found shot to death, the victim of an apparent suicide. The cops and everyone else sign off on the case, but Alex refuses to believe that her brother would kill himself. Brady isn't sure, but Alex has walked back into his life four months after his latest girlfriend walked out of it. There's still a spark between Alex and Brady and so he agrees to investigate.

Inevitably, things are more complicated than they initially appear, and Brady finds himself drawn into a complex and dangerous situation. The result is a book in which the urgency mounts and which is increasingly difficult to put down. Long-time fans of the series will enjoy "Hell Bent", but it will also appeal to fans of crime fiction who have never sampled Tapply's work before.