A couple of days ago, I wrote a review complaining because one of my favorite authors, John Lescroart, had set a plot into motion by having his protagonist do something incredibly stupid. Now, another of my favorite authors, Michael Connelly, has done exactly the same thing.
In Connelly's defense, this book was first published in 2002. It's his eleventh book overall, and does not feature Harry Bosch or any of the other series characters that Connelly has introduced through the years. The protagonist here is a guy named Henry Pierce, the head of of a tech startup firm called Amedeo Technologies. The company is doing pioneering work in molecular computing, and the ultimate objective is to produce a computer smaller than a dime, hence the title. Pierce is the genius behind the company and has made a major breakthrough that could put the firm well ahead of its competitors in the field.
The problem is that the company is very short of cash and in desperate need of finding a major investor--a "whale"-- who can write the check that will enable Pierce and company to move forward. Happily, they have such an investor on the hook. The guy is coming in for a dog and pony show, at the end of which, hopefully, he will write a huge check in return for a small stake in the company.
Unhappily, though, only a few days before the demonstration, Pierce breaks up with his girlfriend and moves out of the house they shared. His personal assistant helps him move into a new apartment and, among other things, signs him up for telephone service. (This is, obviously, back in the day when people still had land lines, and besides, Henry really doesn't trust these new-fangled cell phones.)
Henry arrives at his new apartment, plugs in his phone, and immediately begins getting calls for a woman named Lilly. The calls are coming from men who are phoning from hotels and who sound very nervous, and Henry quickly realizes that his new phone number must have previously belonged to a hooker.
Any logical, sensible, intelligent person would unplug the phone, wait until Monday, call the phone company, and ask for a different number, especially if he had to finish a presentation that could mean the survival of his company and of his dream. But Pierce decides to investigate. He browses websites, looking for Lilly's ad, and finds her on a site called L.A. Darlings. He wonders why Lilly is no longer answering her number, and assumes that something bad may have happened to her. (It apparently never occurs to Henry that Lilly may simply have grown tired of selling herself, given up the number, resumed using her real name, and moved back to Omaha.) Inevitably, of course, Henry's search will bring him up against some very nasty characters and will get him into serious, maybe even fatal, trouble. But he soldiers on in spite of the risks.
Which makes absolutely no damned sense at all.
Henry needs to be in his lab, perfecting the demonstration that will propel him and his company into computer superstardom. His partners, employees and other investors have everything riding on him. What the hell is he doing, messing around trying to find this woman and putting himself and his company in serious jeopardy? Everyone who even gets a hint of what he is doing, tells him he's crazy and that he needs to get his head back into the game, but will he?
He will not, which simply leaves the reader, or at least this reader, shaking his head in disbelief. The character behaves so irrationally that in the end, it's impossible to care about him. If this novel had been written by somebody named Joe Blow, one might conclude that it's an "okay" book, but one expects more from a writer as talented as Michael Connelly. Interestingly, at an author event a couple of weeks ago, even Connelly himself could not remember the name he had given to the protagonist of this novel. And given that, perhaps the reader can be forgiven for fairly quickly forgetting it and the book as well.
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